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17

Apr

Yardies never change, overtime…

Yardies never change, overtime…

(Source: eklektricity)

26

Feb

ONLINE WORKOUT VIDEOS

hipsandhoops:

thegoddamazon:

Burn those calories, girls :)

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(Source: myfitness-app)

(Source: ladiesmakingcomics)

20

Feb

(Source: thequeenbey)

14

Feb

teacupsimone:

Dear Friends, THANK ME LATER FOR THIS ONE. #RIPWHITNEY BEST COVER OF SAVING ALL MY LOVE FOR YOU I HAVE EVER SEEN. I am the HUGEST FAN OF SASHA ALLEN!!!! BEAST!!!!!!!!! Love, Tika Simone <3 <3 <3

13

Feb

imwithkanye:

Adele: One and Only | Vogue 
“Adele is not rock-’n’-roll. She is not self-consciously retro. She does not shimmy or shake. Hers is a plant-the-feet-and-belt delivery that has all but disappeared from the pop landscape. It should be deeply uncool. And yet, there is something startlingly refreshing about her youthful elegance and commanding presence—especially because she is a 23-year-old Cockney girl from Tottenham.”

imwithkanye:

Adele: One and Only | Vogue

“Adele is not rock-’n’-roll. She is not self-consciously retro. She does not shimmy or shake. Hers is a plant-the-feet-and-belt delivery that has all but disappeared from the pop landscape. It should be deeply uncool. And yet, there is something startlingly refreshing about her youthful elegance and commanding presence—especially because she is a 23-year-old Cockney girl from Tottenham.”

18

Dec

Doth one protest too much?: Saddest story I've come across: Joyce Carol Vincent.

aishaandozzy:

Worth a read!

On 25 January 2006, officials from a north London housing association repossessing a bedsit in Wood Green owing to rent arrears made a grim discovery. Lying on the sofa was the skeleton of a 38-year-old woman who had been dead for almost three years. In a corner of the room the…

09

Nov

black-americana:

HELP SUPPORT THE BLACK AMERICANA SERIES (CLICK HERE)

“BLACK AMERICANA:  The Photo-Essay” 

Vol. 1 - Island in the Sun 

“Black Americana” is a four part photo-essay presenting a commentary on Black American life and patriotism.

When we weren’t marching, dodging fire hoses, and police dogs biting at our brown skin – when we weren’t singing songs of freedom, and training how to peacefully resist in southern sit-ins, we were doing what other Americans did – we went to the beach. “Island in the Sun”, a first installment in the ground-breaking series “Black Americana” re-introduces, and reclaims the image – the representation of free Black women and men living their lives openly and beautifully. The series seeks to offer a broader lens of Black American life not often seen – a restoration of Black bodies on a summer day in 1950’s America. “The beach setting is significant.” says Brandon Littlejohn, Creative Producer of “Black Americana”. “Beaches are visually associated with affluence in urban areas because of Black people’s limited access.” Littlejohn continues, “I wanted to capture Black young women and men in these spaces, because after all, this was a reality for Black people during this time.” This is the other side of the southern Black domestic worker; the other side of the Black male porter. This too was Black American life, in all of its splendor.

- Geneva S. Thomas

Creative Producer - Brandon Littlejohn

Photographer - Rod Gailes OBC

Wardrobe Design - Jamari Walker

Makeup Design - Dominique Jenelle

Hair Design - Shirlonda Brailsford

Casting - Latrice Davis

Women’s Bathing Suits designed by D’ Angelo Scott

Models - (Tope Alabi, Desmond Amofah, Ngozi Assata, Tradell Hawkins, Stephanie Kyereme, Titilayo Mutushi, Robert Vance)

______________________________________________________________________________________

Creative Producer, Brandon Littlejohn, and Photographer, Rod Gailes OBC, are collaborating to create a brilliant four-part photography series that showcases classic American settings through an Afro-Elite lens. The “Black Americana” series encourages African Americans to challenge societal messages about Blackness, while aspiring to higher levels of art and education on their own terms. Creating opportunities in the creative industry via a collective effort and artistically challenging the way African Americans have been conditioned to see themselves are two main goals of the “Black Americana” series. 

-Taylor N. Lewis